Monday, April 4, 2011
Robinson 2010 Disintegration
Monday, March 28, 2011
DuBois and Horvath 1998
- stress
- # of syllables
- lexical category
- if function word, type of function word
- preceding phonological variant
Wednesday, March 23, 2011
Thomas 2007
- consnential lexical variations (sk, sp metathesis)
- Rlessness and l-vocalilzation
- Interdental Fricative realization
- Consonant Cluster Simplicificaion/ -t/-d deletion
- rarer features, such as /skr/ for /str/
- lack of HAPPY tensing
- PIN-PEN merger
- AAE shift
- GOOSE-GOAT fronting
Monday, January 31, 2011
Ethnolects and the city: Hoffman & Walker 2010
Hoffman, M. and Walker, J. A. 2010. Ethnolects and the city: Ethnic orientation and linguistic variation in Toronto English. Language, Variation and Change. 22. 37-67.
Friday, January 28, 2011
Moral Geography: Modan 2007
Gal refers to fractal recursivity, or the ability of the same distinctions to be mapped onto increasingly smaller and smaller or larger and larger domains, in that, for example, there might be the public space of the main street compared with the private space of the residential streets, but then on the residential streets the public space of the street vs. the private space of the houses, and in the houses, the public space of the front porch vs. the private space of the back, etc. etc.
Wednesday, May 5, 2010
Intertextuality Definition
Morph-ology: Bakhtin 1981 excerpts
I'm talking here about Bakhtin's concept of re-accentuation, which to me, both actively pursuing and studying my hobby of fan fiction is a very interesting one. Fan fiction is by its nature a heteroglossic undertaking; it is adding an interpretation to a text which already exists, or extracting bits of that text and creating a new dialogue around them. In doing so, the meaning of that text is gradually changed bit by bit as people grow to understand the situation differently. For example, in the original book, Edward the vampire likes to watch Bella sleep; when he admits this to her, she finds this hopelessly romantic. Yet if a fan fiction writer writes a so-called "alternate universe" (AU) fanfiction where Edward, instead of being a chaste, moral vampire who drinks from animals is instead a traditional bloodthirsty killer, when that writer repeats the trope of Edward watching Bella sleep, the interpretation of the new version is much more sinister. And what is more fascinating is that this new interpretation affects not only the AU, but that of the original text as well, and moves readers to understand the original book's Edward's motives as being quite creepy rather than the hopelessly romantic gesture they may have originally felt them to be.
Bakhtin argues that as texts move through different historical periods and different groups, each one adds a different meaning to it and shapes it, because the heteroglossic fabric which surrounds the text changes each time it is moved. Yet perhaps this is the test of something which is lasting; a great text continues to grow and move, morphing into other meanings and interpretations as it makes its way through the dialogic imagination of new sets of readers.